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There’s a ‘Lute’ teardrop style guitar and bass, ‘El Toro’ longhorn, many stretched Stratocaster styles, and more. If you do find yourself in Sydney and able to go to the exhibition at the Powerhouse Museum, you’ll see that Maton really did experiment a lot with different shapes and sizes, especially throughout the 1960s and especially in electric guitars. The quality of the instruments engenders loyalty but continues to attract new generations of guitarist. Tash Sultana and Budjerah - relative newcomers to the scene - also famously favour this 75-year-old brand. To think that virtuoso guitarist Tommy Emmanuel purchased his first Maton in 1959 (Mastersound MS500M) and still uses them to this day. George Harrison used a Maton Mastersound MS500 in 1963 and it sold at auction in 2015 for $485K USD and Elvis Presley can be seen performing in his 1957 film Jailhouse Rock using a Maton Hillbilly acoustic flat top, named an HG100.Īside from these musical legends, the artist endorsed list of Maton users is a credit to the craftsmanship of their instruments. Iconic Australian songwriter Paul Kelly performs and writes his classics on Maton guitars. Whilst they are not on the top of the list of revered guitar amps, they are as rare as the proverbial hen’s teeth and look mighty cool!Īustralian musician John Butler shreds on his 12-string Maton acoustic through a Marshall stack. Some had a ‘TV’ style, some had a ‘Radio’ design, and there’s even a Stradivarius Special Amplifier. Maton amplifiers were made from the 1950s to the 1970s in unique and varied designs to match with guitars. The classic M astersound electric guitar, first introduced in 1958, was used by George Harrison, Tommy Emmanuel and The Wiggles. 1963 saw them produce a wild, futuristic-looking guitar called the Ibis. A little more classy-looking is the hollow-bodied, Queensland maple, signature model from Queens of the Stone Age founding member Josh Homme. Whilst Maton is widely known for its acoustic guitars the company has trialled lots of different instrument types and amplifiers over the years. The EBG808 Nashville is Keith Urban‘s choice for acoustic guitar. Invented in 1978 for a focus on the recording studio, you’ll find these across stages as well due to the size and focused projection.
#MATON MESSIAH SERIAL NUMBERS SERIES#
It is very realistic and usable at higher levels onstage”.Īnother classic Maton acoustic is the EBG808 series with their smaller body shape.
#MATON MESSIAH SERIAL NUMBERS PRO#
On the Maton website, you can find the virtuoso Eric Johnson saying that “The AP5 pro is my favourite amplifying system for acoustic guitar. It’s constructed with AAA Grade Sitka Spruce and given voice on the big stage with Maton’s own AP5 Pro pickup system, which includes a separate microphone (on an adjustable arm) and piezo blend.
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The Messiah Series represents the pinnacle of Maton’s luthiery.
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Key to the company’s identity and its subsequent success, it sources exclusively from sustainable Australian timbers such as Bunya, Victorian Blackwood, Queensland Maple and Walnut, Sitka Spruce and Western Red Cedar, you’ll find even the entry-level SRS (Solid Road Series) has Tasmanian Blackwood and A grade Sitka Spruce.